Tough Paint. Easy Choice.

The advantages of using premium paint in high traffic areas.

By now most of us have accepted that doing things right the first time–even though it costs a bit more initially–saves time and money in the long run. That old chestnut seems particularly suitable when designing and building things, that’s why it’s always been the primary reason we make our paints so tough. Remember, the big expense on any painting project isn’t paint, it’s labor. And if you are always repainting because you went cheap on paint for an active interior, you’re going to get creamed on repainting costs. Use a better paint up front, and the kick marks, bag marks, hand prints, and scuff marks that have the painting crew out every other month, can be wiped right off with simple household cleaners instead.

Get our scrub rating guide to help you decide which paint is best for the project.

There’s another big cost to regular repainting that I wanted to talk about today, the cost to the environment. It’s important remember that more painting means more manufacturing, more travel, more clean-up, more off-gassing, more VOCs. That’s not the direction any of us want to see things go. Better you should use a quality low-emitting coating (there might be one I could recommend) and save money on repaints while saving your corner of the planet.

Take a look at the installation below. This project had been up for just 3 months when we paid a visit. It’s located in a busy, mixed-used building in the heart of Minneapolis’ vibrant North Loop neighborhood. Home to restaurants, shops (maybe even a few shoppes), a salon, and enough upscale lofts to let you know you’re in a properly gentrified neighborhood, this building sees a lot of people traffic. The corridors and common areas of the building provided a great test for Scuffmaster; one side was painted in our freakishly strong Armor finish while the other side was painted with store-bought residential paint. I’m sure both sides looked great when they went up, but after a scant 90 days, the regular paint is looking rough and in desperate need of a costly makeover. Not a great first impression if you’re the building owner attempting offload expensive lofts.

Scuffmaster Armor premium paint at ElseWareHouse

The Armor side of the corridor can take a beating without going to pieces while regular paint highlights the grime, chips, scuffs, and dings. I’m guessing there was a great case to be made for both products at the time they were being specified, but 90 days in, which paint do you think the owners would rather have on all their walls? Get our scrub rating guide below to help you decide which paint is best for the project.

Get Your Scrub Rating Guide

It’s Great what a Little Color can do

As someone who has worked in “creative spaces” my entire adult life, I’ve noticed a tiresome dependence on gray color schemes. I’m not saying gray can’t be used to stunning effect in ad agencies, design offices, photo studios and more, only that in many of the spaces I’ve worked and visited, it’s all you ever see. Gray certainly creates a nice, neutral backdrop for posting projects and critiquing work, but somewhere along the way it became the go-to color scheme for creative spaces.

It’s well known that many of the renaissance masters had their studios painted in grays. This obviously worked well for cranking out The Birth of Venus in Tuscany, but how inspiring are gray walls in a 21st century office space, on a Monday in January, in the Midwest, while banging out Q1 projections on a deadline?

Those of us working in creative fields do not have a monopoly on creativity. Creativity is found anywhere people are willing to add something new and special to their work. It takes a lot of energy to do that though, energy most people don’t get while ensconced in gray. Anyone wanting their employees to be more creative needs to work first on getting their employees energized and color can do that in ways gray just can’t.

See our before and after examples. An anonymous office space becomes a vibrant den with a real sense of place. Where would you rather spend 40 hours a week? A modern workplace, stunning in black and white, is fully realized only through whip-smart use of color accenting the walkways and begging the stairs to be scaled. Talk about energy, I wouldn’t take the elevator in this building if I was hauling air conditioners to work.

Top: IDC Patent - MPLS, after / Scuffmaster Paint + Design | Bottom: Medibank Building - Melbourne, Chris Connell Design, Kerry Phelan Design Office, Russell and George and HASSELL Architects (Photography Earl Carter)
Top: IDC Patent – MPLS, after / Scuffmaster Paint + Design | Bottom: Medibank Building – Melbourne, Chris Connell Design, Kerry Phelan Design Office, Russell and George and HASSELL Architects (Photography Earl Carter)

These are the kinds of spaces that foster creativity and happy, energized employees. What could an extra hit of color do for your next project? More importantly, what could it do for those who will occupy it?